By Steven Wasser, President,
Verne Q. Powell Flutes
Most flutes offer drawn (or extruded) tone holes, primarily because
they are efficient and economical to produce: using a machine, the tubing is
pulled out of a small hole in the flute body into a tall ‘chimney’ to form the
tone hole. It is then rolled over and flattened to create the surface for the
pad to close against.
Soldered tone holes, on the other hand, have long been one
hallmark of a handmade, professional flute and are featured exclusively on all
custom handmade Powell instruments. Each tone hole along the body of the
instrument is created by soldering separate metal rings onto the body tube.
Soldered tone holes offer the flutist a number of advantages with relatively
few downsides:
·
Resonance and intonation: Flute makers utilize a technique called
“undercutting,” which allows them to make subtle adjustments in the flute’s
tone, response, and intonation. The greater thickness of the soldered tone hole
gives the flute maker more flexibility in making these fine adjustments.
·
Darkness and Depth of Sound: because
of their thickness, flutes with soldered tone holes usually produce a darker
sound than those with drawn tone holes.
·
Response: the flatter the tone hole
surface (where the pad touches) the stronger the seal and the more responsive
the instrument. Where soldered tone holes inherently offer a more level
surface, the sides of drawn tone holes are often weak and as a result, they are
pressed down in the process of creating the rolled edge. This creates a
slightly warped surface for which the flute maker must compensate while
installing pads.
Drawn tone holes have a bit of a rounded edge |
Is one type of tone hole better or worse than the other? Possibly. But at Powell, offering choice to our customers allows each individual artist to decide what sounds best to them.
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