Showing posts with label flute ribs. Show all posts
Showing posts with label flute ribs. Show all posts

Thursday, April 2, 2015

The "Stand In"


We stopped by the finishing department this week and saw something particularly interesting at flute finisher Matt Keller's bench.  It looked like a metal flute body with extra ribs going in odd directions. It was also on a flute peg right next to a grenadilla Custom flute that Matt was finishing, so we had to had ask, "What's this?"

Well, it turns out that this ribbed metal "body" is actually a "stand in" to polish the ribs that go on the grenadilla flute.  Matt needed to polish the ribs as part of the finishing process, but he could not polish them on the wooden body.  Definitely not.  If you think about it, metal flutes have ribs that are soldered onto the body. Since the body is also metal, the body and ribs are polished together on a wheel that is spinning very, very quickly.  Although the image below is a photo and not a video, it helps in visualizing the polishing process for metal flutes:


With the wheel spinning so quickly, it's certainly not a good idea to have the wooden body anywhere close...  Also, the ribs are screwed on to the body of the grenadilla flute, so they can be screwed onto the metal "stand in" body, polished, unscrewed, and then screwed onto the wooden body.  Matt and our Repair Technician, Rachel Baker, tell us that once the ribs are screwed onto a grenadilla flute or piccolo, they have to stay!  Why?  Well, taking them on and off again and again can really weaken the wood and lead to more problems.

Matt told us that all of the ribs for the grenadilla body and footjoint are all on the "stand in."  So, the "stand in" might look a bit odd, but it truly is helpful for polishing the ribs that go on a grenadilla flute!

Close-up of the wooden flute body (which is upside down),
footjoint, and the "stand in."

Sunday, June 29, 2014

Building the White Gold Flute - Part 4

In part 4 of our series on the gold flute, we meet with Alex Shtyrkov, Dennis Williams, and Weiling Zhou as several steps are completed.  In the video below, Alex finishes his work in the body making process by soldering the posts to the ribs, the ribs to the body, and the rings to the body.


In the next video, we visit with Dennis Williams and Weiling Zhou. The video begins with Dennis, who is fitting the mechanism steels.  Dennis must make sure that the steels are the proper length, shape, and that they run smoothly through the posts.  In the second part of the video, our engraver, Weiling Zhou, engraves the logo on the foot joint and body.  The engraving we see in this video includes the triangular VQP logo and "Verne Q. Powell Flutes." When the body engraving is complete, it will have the following, each on a separate line: triangular logo, "Verne Q. Powell Flutes," "Boston," serial number, and karat.  The foot joint will have the same with the exception of the serial number.