Building the White Gold Flute - Part 8

In the final part of our series, we watch as the white gold flute goes through the play testing process (we have a detailed, previous post on play testing which you can read by following this link).  Our play tester does a thorough visual inspection and play tests the instrument, making note of anything that may need to be adjusted.  As you will see in the video, she will also double-check any findings with gauges and make notes on assessment/evaluation paperwork.  After she is done, the flute goes back to the finisher for the adjustments to be made.  When the finisher is done, the flute goes back to the tester for another play test. 

Once the flute has gone through the final testing and adjustment process, the blue protective tape is removed.  The flute is cleaned once more, placed in its case, and sent to the customer. In the photos below, you will see the white gold flute completed and ready to be sent to its new owner.

Music Credits:
Powell Artist Paul Edmund-Davies
Georg Friedrich Handel  - Sonata in E min, HWV 379: IV.Allegro

Testing Flutes

One part of the manufacturing process that is extremely critical is the final testing.  Here at Powell, this is done by Rebecca Eckles, our Director of Quality and Service.  Rebecca wears many hats and is a professional flutist as well.  After the flutes are completed by the finishers, they are sent to Rebecca for testing.  She tests all the flutes and Signature piccolos.  When she receives them, they still have the protective blue film covering the body, headjoint, and keys.  Rebecca begins by checking the complete mechanism from bottom to top.  She presses each key, making sure the mechanism is smooth with no drag, no binding keys, and proper spring tension.  She also checks for lost motion and any sharp edges.  After this manual test of the mechanism, she completes a "visual check" in which she looks at key heights and padding, making sure everything is even and at the proper height.  She also inspects the corks to make sure they are well shaped and free of imperfections.

Rebecca then begins a play test.  This time, she starts from the top down to check for any leaks.  She then takes the feeler gauge to each pad as an additional measure to identify any leaking pads.  When her evaluation is complete, she submits her recommendations.  If there is anything that needs to be corrected, it goes back to the finishers.  The flute then rests for a few days, and she retests it.  Rebecca also works with the repair technician, and when everyone is in agreement that the flute is ready, it is shipped to the customer.  Regardless of the model (Signature, Conservatory, or Custom), Rebecca believes that they must all look and sound like custom flutes.  She also stresses that the finishers are master craftsmen -- their work is what makes everything work well by the time it arrives at her office.

Manually checking the mechanism

Checking for proper headjoint fit

Checking for leaks with the feeler gauge

Visual Inspection

Play testing