Showing posts with label Sonare flute. Show all posts
Showing posts with label Sonare flute. Show all posts

Thursday, April 16, 2015

The Missing Ingredient in Nickel Silver

Powell Sonaré 601 (with silver-plated nickel silver keys).

By Steven A. Wasser
President, Verne Q. Powell Flutes, Inc.

Do you know the silver content of nickel silver?  If you guessed anything more than 0%, you are misinformed.  Although the name is clearly intended to make you believe that this is some kind of silver alloy, the fact is that nickel silver is comprised primarily of copper and nickel. 

Here is how this apparently came about.  An alloy of copper and nickel was developed in China, perhaps in the mid sixteenth century.  It was called paktong.  Europeans wished to copy this alloy, which had the appearance of silver, and finally succeeded in the late 18th and early 19th centuries.  Since the European metallurgy was developed in Germany, this silvery-looking alloy was called German silver.  Subsequently, because of its silvery look, it also became known as nickel silver.

Musical instruments can generally be made of nickel silver in 2 situations: where the nickel silver substitutes for sterling silver because it is cheaper, or where it substitutes for brass because nickel silver is harder.  Thus, you will find nickel silver flutes, saxophones, and French horns. Because nickel silver is relatively easy to shape and solder, you will also find instrument keys made of nickel silver, such as for clarinets, flutes, and saxophones. 

Even though nickel silver might initially look like silver, it tarnishes easily.  In addition, many people have allergies to nickel, so nickel silver used for musical instruments must be coated with something to protect the musician.  The normal coating is silver plating. 

Although silver plating looks nice and shiny at the start, it will eventually tarnish, just like sterling silver.  While the plating can be polished clean, dent removal and other work that requires manipulation or abrasion of the surface will remove the plated layer of silver.  In addition, constant daily use can wear off silver plating. 

At Powell we use only sterling silver or gold alloys for the precious metal flutes we make at our Boston area workshop.  For our Powell Sonaré flutes, we make the bodies and headjoints of sterling silver or nickel silver.  Our Asian key assembler uses nickel silver keys plated with silver to keep costs down.

In 2013, as the price of precious metals skyrocketed, we began to search for alternatives to sterling silver for flute and piccolo keys.  We looked at nickel silver but preferred a strong, clean alloy that did not require plating.  Our answer was stainless steel which, as the name correctly implies, is “stainless” or tarnish resistant, and is also strong.  (Some of the same properties which make stainless steel strong also make it difficult to form.  This required us to develop special machining and brazing technology.)  The strength of stainless steel assures the flute or piccolo player that their keys will stay in adjustment longer than instruments with nickel silver or sterling silver keys.

In 2013 Powell introduced the Sonaré piccolo with a stainless steel mechanism.  We designed the instrument with the nature of stainless steel in mind, using an art deco style that allowed us to machine the parts.  Now, 2 years later, we are introducing another version of the Sonaré piccolo which will use stainless steel keys, but with a more traditional, circular design aesthetic.  

Friday, August 16, 2013

Curved Alto Headjoint

Looking back on our visit to the NFA Convnetion this year, we realized that many people didn't know we make a curved alto headjoint.  We make both a curved and a straight headjoint for both of our Powell Sonaré alto models: the AF-60 and the AF-70.  The AF-60 has a silver plated nickel-silver body, and the AF-70 has a sterling silver body.  Both of our headjoints (straight and curved) are sterling silver and fit on either model alto flute.
















So, what are some of the differences with the curved headjoint?  Well, since the headjoint is curved, it shortens the length of the flute, making it easier to reach.  Some people think the curved headjoint has a different sound from the straight one, but the curved headjoint may sound different mostly because it is closer to you -- so it changes the way you hear yourself.  Obviously, the air flows through a curved headjoint differently than it does with the straight one because the air flow follows the shape of the tube.  With the curved headjoint, the air flows around the inner curve.  However, there is really not much difference in the amount of air you would use for the two headjoints.  Choosing a curved or straight headjoint is simply a matter of the player's preference.  Some people find that the curved headjoint is more comfortable because there is less of a stretch for their arms overall with the shortened length of the flute.

The Powell Sonaré alto flute models are available with a straight headjoint, curved headjoint, or both.  We do make double cases so that you can easily fit both headjoints in the case with the flute.  If you purchase a curved headjoint only, the flute will come (automatically) with the double case.  (Powell does not offer a single case for the curved headjoint option).  As with all Powell Sonaré models, the alto is available through authorized Powell Sonaré dealers.  For more information, visit the Powell Sonaré section of the Powell website at https://www.powellflutes.com/flutes/sonare-flutes.